@ZackTeibloom Festival Crashers have been super into mash-ups lately. We’ve been Girl Talk crazy forever, danced on stage with Hood Internet and Car Stereo (Wars) this month and my car stereo is being dominated by Hood Internet mix tapes.
Audio mash-ups are great, but the Phish Festival 8 video montage that Electric Method put together is something we had to talk to them about. You can all watch it, but I’ll let Andy let you know what it was like to be there.
“A video that began with “Thriller” turned into a whole mashup of the albums, songs and videos involved with the original 99 albums. As fans recognized different faces and songs throughout the video, roars would erupt for their favorites. Personally, I was just trying to figure out what tricks Phish had up their sleeve and whether or not they were actually playing the Rolling Stones. Alas, the video ended with the Stones and I could start breathing again knowing that I was about to get my “Rocks Off” with Exile on Main St.” -@andyshore
Eclectic Method Goes Phish :: 99 Albums in 4:20 from Eclectic Method on Vimeo.
Z.T. A project with this much material seems intimidating. What did you start with when piecing the footage together and when did it start to take shape?
GEOFF: Yes, it was definitely one of the most challenging briefs we’ve had yet. For me the starting point in composition was working out how briefly every album would be represented in order to keep the mix to the required length – as a rule of thumb each album would have less than two seconds of screen time. This indicated that the flow of the piece would be determined more by rapid rhythmical cutting than by finding longer melodic matches between album tracks. Quite early on we decided to produce segments composed in this way at various tempos which we then linked together using a TV going out of tune effect.
GEOFF: Our choices of clip are usually guided by what makes the best audiovisual impact. It’s important in our mixes to see what is actually producing the sound you are hearing, as well as to have a relatively stripped down sound to compose with (eg an acapella or instrument solo) – these moments are relatively few and far between, so the choices make themselves really.
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