@ZackTeibloom Never underestimate my Jack White obsession. Why would you? We ran a contest to see how much I’d end up seeing of The Dead Weather show despite the intriguing Van Morrison conflict. Van was scheduled to start at 3:35. Jack, I mean The Dead Weather, at 3:45. Two stages on the complete opposite side of the festival with a swarming crowd. And it had just started to rain.
Either way, I was wearing White Stripes hunting tartan socks*. I was going to catch some Jack. It was just a matter of how much. My biggest fear was Van running late, but he was off and running by 3:32. Well, off and something. I knew I’d be able to tell after a few songs whether we were in store for a classic set or a nostalgia one. By the time “Brown Eyed Girl” was over, I knew. Read the rest of this entry »

@ZackTeibloom I’m using costumes now. It was inevitable I guess. After I tried the kick-off return for forty five minutes, but the defense was impenetrable. Trust me, I tried. The entrance all the way left was double teamed. The check in line on the right had a 400-pound guard who wouldn’t leave his post. I even sunk so low as to walk out to consider offering someone $20 for their ticket. I shouldn’t even admit that.
@ZackTeibloom Jazz Fest 2010 was a doozy. It constantly felt like it was going to storm, but didn’t come down until the battle between Van Morrison and The Dead Weather as Van sang “days when the rain came” from “Brown Eyed Girl” to cheers. Jeff Beck was the ultimate highlight, but the weekend was full of gems. Steve Martin and Elvis Costello opened a whole new audience to Bluegrass on Thursday and made it cool. Stanley Clarke fully made us forget Aretha canceled on Friday and made Earth Wind and Fire feel like lightweights. Jack White proved he is in fact possessed by the devil as he lept into the air with complete abandon before absolutely annihilating a solo on “Will There Be Enough Water?” in the pouring rain. A song that has proven to be the best rock performance on any given night by any rock band around.
@ZackTeibloom Looking at the 11 or so Jazz Fest guards in purple jerseys, I felt like I was trying to return a kick against the Minnesota Vikings. Fine, fine I’ll be Devin Hester in this example. The first line of defense was the 7 guards scanning tickets. Behind them a roaming 3-4-man walkie-talkie unit and occasionally a couple cops to … throw a flag? It hasn’t come to that yet. I tried my hand at recreating Successful Crash #30, but the defense had a zone shifted that way and I didn’t have enough blockers.
@ZackTeibloom The Van Morrison- Dead Weather conflict has been keeping me up at night. I’ve always wanted to see Van. I can’t miss Jack White picking up a guitar for almost any reason. Even if he only plays it once or twice. Bryn will kill me if I can’t report fully on Van. I’ll kill myself to know Jack is performing on the other side of the field and I’m not there. It’s Van! It’s Jack! It’s time for a contest.
@ZackTeibloom Jeff Beck came to blow our minds. Jazz Fest producer Quint Davis introduced Beck by calling him the greatest guitarist to come out of and emerge from Rock n’ Roll. It’s a lot to live up to. Beck had no problem living up to the hype.
@ZackTeibloom “Without guys like Stanley Clarke, there wouldn’t be Vic Wooten,” Kappel told me. Would you need anything else to convince you to make sure you saw this guy? I sure didn’t. We woke up Friday to find out Aretha Franklin had canceled and Earth Wind and Fire had taken her place. I can’t pretend it wasn’t distressing.
@ZackTeibloom Thursday of the second weekend at Jazz Fest is always the least crowded. It’s great for getting from stage to stage, but makes crashing a lot harder. I got to the entrance a little before noon and noticed there were about 8 ticket takers and none seemed overwhelmed in the half hour I was scoping them out. I mention this, because usually you can waltz through the out door with no one paying attention, but so few people were going in the fest that I had to sidle my way in.
@ZackTeibloom Grammy Award winner for Bluegrass album of the year Steve Martin wants to be taken seriously as a musician. And with good reason. Sure, he gets the attention because of his comedy, and it is a part of his act, but it’s music first. Even if the music is a funny song about how Atheists have no songs (the Jews have Havana Nagila.)
@ZackTeibloom I’m in full Jazz Fest Hype mode. I’m leaving straight from work. The car is packed up with a full tank of gas and a fresh oil change, I’ve got a care package full of Sun Chips,* more than enough sandwiches, downloaded the Jazz Fest App and have my conflicts resolved. Last night I left Kappel a voice mail where I said HYPE approximately 35 times. In my mind, I’m already there.


